Architect, designer and university lecturer, Marco Zanuso (1916-2001) was one of the leading interpreters of the Modern Movement. Trained at the Polytechnic University of Milan and, in the immediate post-war years, co-editor of the Domus magazine with Ernesto N. Rogers, he was awarded the Medaglia d'oro and the Gran Premio at the Milan Triennale on a number of occasions (VIII, IX, X, XI and XIII editions), and won five Compassi d’Oro between 1956 and 1985.Zanuso was one of the first designers in Italy to take an interest in the problems of product industrialisation, going beyond aesthetic issues to incorporate technological, industrial, distribution and communication variables.According to Zanuso, the form of an object destined for serial reproduction is an amalgam of opportunities, experimentation and innovation in the concrete process that connects creativity, production and the social and cultural context.“Through my projects I want to give form to what I call complexity”, Marco Zanuso.
At the end of the '40s "The Skin of Our Teeth" (La Famiglia Antropus) by Thornton Wilder, was one of the first comedies performed at the Piccolo Teatro in Milan, for which Zanuso was commissioned to design the scenery and furnishings. These included an armchair for which he used new materials with which he had been experimenting and that he christened the Antropus. 721 ANTROPUS Poltrona then became part of the "I Maestri" collection of Cassina.
ZANUSO 275 Table lamp by Oluce. Iconic in its form, it can be used not only at desks, but in general on all sizes of table, its primary role being to light a portion of a room.The lamp will be provided in accordance with the power requirements and cabling standards in force in the country of shipping.